dc.contributor.author | SLĂTINEANU, Laurențiu | |
dc.contributor.author | COTEAŢĂ, Margareta | |
dc.contributor.author | DODUN, Oana | |
dc.contributor.author | NAGÎŢ, Gheorghe | |
dc.date.accessioned | 2019-12-09T12:38:39Z | |
dc.date.available | 2019-12-09T12:38:39Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | SLĂTINEANU, Laurențiu, COTEAŢĂ, Margareta, DODUN, Oana, NAGÎŢ, Gheorghe. Restituiri. In: Cucuteni - 5000 Redivivus: Ştiinţe exacte şi mai puţin exacte, ed. a 13-a: culegere de lucrări ale simpoz. intern., Universitatea Tehnică a Moldovei, 18-20 mai 2018. Chişinău: Tehnica-Info, 2019, pp. 127-132. ISBN 978-9975-63-368-0. | en_US |
dc.identifier.isbn | 978-9975-63-368-0 | |
dc.identifier.uri | http://repository.utm.md/handle/5014/7385 | |
dc.description.abstract | There are some works for which, for various reasons, sometimes a certain confusion has been created about their real authors. An investigation made by accessing the various documents originally published on the Internet highlighted, for example, that the poetry known as the "The ceramic pitcher" was composed by the writer Eusebiu Camilar and not by Omar Khayyam. The poetry "Learn from all" was the result of the Romanian poet Traian Dorz’s imagination and it is not part of the Norwegian lyrics. The soundtrack of the Maastricht anthem can be appreciated as a "free copy" of a work elaborated by Ciprian Porumbescu. A Dacian mold for manufacturing jewels found in Sarmisegetuza in 2014 proves the high technical qualities of the people that were living then in that area. Some of the abovementioned aspects have been considered by the authors of this paper. | en_US |
dc.language.iso | ro | en_US |
dc.publisher | Tehnica UTM | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | creații poetice | en_US |
dc.subject | melodii | en_US |
dc.title | Restituiri | en_US |
dc.type | Article | en_US |
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