Incursiunea empirică a picturii figurative moldovenești din anii 1975–1980

Abstract

After 1975, Moldovan figurative painting continues the path of national treatment of form through experimental searches of a progressive character, which gradually asserts itself in the "tense" atmosphere of time. the figurative image tends to an artificial insertion in the composition, often apparently cut from photographic sequences accidentally captured from real life. Included in the plastic frame through a process of "assembly" the figurative preserves the archaism and pure sensitivity, unadorned and unregulated, and its direct inclusion in the plastic frame produces a metaphorical perception of the face, state or experience derived from the event