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Consideraţii filosofice pentru o noema a imaginii fotografice

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dc.contributor.author PERCIUN, Andrei
dc.date.accessioned 2022-03-15T11:23:38Z
dc.date.available 2022-03-15T11:23:38Z
dc.date.issued 2007
dc.identifier.citation PERCIUN, Andrei. Consideraţii filosofice pentru o noema a imaginii fotografice. In: Revista de Filosofie, Sociologie şi Ştiinţe Politice, 2007, N. 3(145), pp. 104-110. ISSN 1957-2294. en_US
dc.identifier.issn 1957-2294
dc.identifier.uri http://repository.utm.md/handle/5014/19665
dc.description.abstract The noema of the photo is found in “Ça-a-été” by Barthes, which explains itself as an referent inducible and inflexible in the past. What we see now, was there. The structural similarities of the Photo and of the symbol are undisputable, as the photographical image stands for a past reality in present terms. en_US
dc.description.abstract Roland Barthes pune în paranteze aspectele sociale ale fotografiei, cutând cu perseveren noema acesteia, dând greutate ontologic faptului de a-fi-în-sine a fotografiei, ceea ce va prolifera o devastare conceptual a tuturor imaginilor. en_US
dc.language.iso ro en_US
dc.publisher Institutul de Cercetări Juridice şi Politice al AŞM en_US
dc.rights Attribution-NonCommercial-NoDerivs 3.0 United States *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/us/ *
dc.subject imagini fotografice en_US
dc.subject photographic images en_US
dc.subject Barthes Roland en_US
dc.title Consideraţii filosofice pentru o noema a imaginii fotografice en_US
dc.type Article en_US


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