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Evoluția gravurii naționale de după 1990

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dc.contributor.author SAVIȚKAIA-BARAGHIN, Iarîna
dc.date.accessioned 2019-11-14T17:23:46Z
dc.date.available 2019-11-14T17:23:46Z
dc.date.issued 2017
dc.identifier.citation SAVIȚKAIA-BARAGHIN, Iarîna. Evoluția gravurii naționale de după 1990. In: Creativity Technology Marketing - CTM 2017: proc. of the IVth intern. simpozium, Technical University of Moldova, 26-28 october, 2017. Chișinău, 2017, pp. 31-34. ISBN 978-9975-45-505-3. en_US
dc.identifier.isbn 978-9975-45-505-3
dc.identifier.uri http://repository.utm.md/handle/5014/6867
dc.description.abstract Engraving in Moldova in the contemporary period, showed the main tendencies in the evolution of national plastic arts, from narativismul "socialist realism" and tematico ideo-logical structure to the first formal artistic experiments in the early 70s of the last century and the metamorphoses of national engraving after 90s. Important representative of this genera-tion can be considered Simion Zamsa, Elena Karacenţev, Ion Severin, Valeriu Herta, Tudor Fabian, Violeta Zabulica etc. who in their work showed the maximum freedom of virtuosity and inexhaustible the imagination of expression. At the forefront of the creative process of engravers experiment is imposed in various techniques and methods plastic of engraving. National Art after 1990 confers to the genre of engraving new subjects and new approaches, involving massive experiment of mixed technologies and artistic expression with the tenden-cy of integration in European art at the beginning of the third millennium. en_US
dc.language.iso ro en_US
dc.publisher Tehnica UTM en_US
dc.rights Attribution-NonCommercial-NoDerivs 3.0 United States *
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/us/ *
dc.subject gravură en_US
dc.subject grafică de șevalet en_US
dc.subject arta națională en_US
dc.title Evoluția gravurii naționale de după 1990 en_US
dc.type Article en_US


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