Abstract:
The evolution of thematic composition in Republic of Moldova in 1990-2010 was marked directly by the democratization within artistic environment, emerged in the back-ground of collapse of the old ideology. The new paradigm gives the artistic space a hetero-geneous and eclectic character. The graphic artists, receptive to contemporary art trends, opt for new plastic and technical means. In the easel graphic of this period anthropocentric and sacred perspective represented by the works signed by Emil Childescu, Alexei Colâb-neac and Valentin Coreachin coexist in relative proximity in to inherent mental models of contemporary time represented by the works of Diaconu Gheorghe Simion Zamsa și Elena Karacenţev.